“Darcy Ribeiro, um brasileiro sem complexo de inferioridade”

by Isa Grinspum Ferraz

Published in the book Humanistas e cientistas do Brasil – Ciências Humanas,Luiz Edmundo de Magalhães (org.). EDUSP and Sociedade Brasileira para o Progresso da Ciência, 2015.

 

“Darcy Ribeiro”

by Isa Grinspum Ferraz e Agnaldo dos Santos

Published in the book Intérpretes do Brasil: clássicos, rebeldes e renegados, Luiz Bernardo Pericás and Lincoln Ferreira Secco (org.). Editora Boitempo, 2014.

 

“Marighella”

by Isa Grinspum Ferraz

Published in the book 1964-2014: Golpe Militar e Direitos Humanos, Maria Ribeiro do Valle (org.). Editora Cultura Acadêmica, 2014.

 

Darcy Ribeiro, Utopia Brasil

Isa Grinspum Ferraz (org.). Editora Hedra, 2008.

 

Ilha Deserta: filmes

Editora Publifolha, 2003.

Museu de Arte de São Paulo

Edited by Isa Grinspum Ferraz under editorial coordination of Marcelo Carvalho Ferraz. Editora Blau and Instituto Lina Bo e P. M. Bardi, 1997.

 

Lina Bo Bardi

Selection and editing of texts by Isa Grinspum Ferraz for book conceived by André Vainer, Marcelo Carvalho Ferraz, Marcelo Suzuki e Victor Nosek, under editorial coordination of Marcelo Carvalho Ferraz. Instituto Lina Bo e P. M. Bardi, 1993.

 

História do Masp de Pietro Maria Bardi

Editorial design and editing of images by Isa Grinspum Ferraz and Victor Nosek. Instituto Quadrante, 1992.

Tempos de Grossura: o Design no Impasse de Lina Bo Bardi

Book organized by Isa Grinspum Ferraz in 1980. Subsequently published with editorial coordination of Marcelo Suzuki. Instituto Lina Bo e P. M. Bardi, 1994.

Throughout my career, I have been invited to conceive texts for magazines and publications, or to edit books. Initially, for having worked with Lina Bo Bardi in the organization of her book Tempos de Grossura and in her archives, I was called by the Lina Bo and P. M. Bardi Institute to edit texts and images of books about the architect and her work. Later I was invited to produce texts about Darcy Ribeiro, with whom I worked for many years, and about Carlos Marighella. Publifolha also invited me to participate in a publication in which different filmmakers chose their ten favorite films. They were sporadic but rich experiences.